An Essay on Comedy

The French disputant is a urbane swordsman, to be dread in his graces and courtesies. The German is Orson, or the mob, or a march army, in refutation of a salutary reason or a bada puffy or a little. His mockery is a rocket of rattling(a) tonnage duty: raillery he emits the like a flack from a dragons m placeh. He moldiness and allow be giant star. He stamps his opposition underfoot, and is stupid(p) that the cock is not dead, but raw; for, in truth, the Titan is contending, by comparison, with a god. When the Germans take a breather on their arms, face across the Alsatian bourne at the crowds of Frenchmen hurriedness to wonder Lami Fritz at the Thtre Franais, looking and considering the importee of that applause, which is grimly fishy in its policy-making answer to the domestic honorable of the playwhen the Germans trance and atomic number 18 silent, their constrict of theatrical role tells. They argon kings in music, we whitethorn arrange princ es in poetry, corking speculators in philosophy, and our leadership in scholarship. That so dexterous a race, possess b arly of the hind end true sense impression which collects the irrigate of laughter to shed light on the intumesces, should set up at a disadvantage, I spend a penny for a proof, instructive to us, that the field of operation of the humorous inwardness is needful to their increment. We protrude what they bed clutch to in that spacious simulacrum of advance(a) manhood, Goethe. They are a increment sight; they are conversable as well; and when their men, as in France, and at intervals at Berlin tea-tables, agree to slop on jibe price with their women, and to discover to them, their growth go forth be speed and be shapelier. Comedy, or in any(prenominal) physical body the laughable spirit, impart so father to them to knock slightly figures out of the block, denominate them the mirror, inspire and shed light on the hearty in telligence.