Stylistic Means

All stylistic means of the English languages can be divided into expressive means (EM) and stylistic devices (SD). The expressive means of a language be those ph geniustic, morphological, word of honor building, lexical, preseological or syntactical forms which exist in language as-a-system for the purpose of logical and various dictionaries. Among lexical EM we must(prenominal) mention words with affectional meanings, interjections, polysemantic words, vulgar words, slang etc. The fact that polysemantic words retain their primary and secondary meanings is of enormous importance for stylistics.It is quite easy to understand the meaning of the following phrases He grasped the main idea a burning question condolence fluid her heart. The italicized words are used in their secondary transferred dictionary meanings. just now the primary and secondary meanings are realized simultaneously. The expressiveness of these words run shorts obvious when compared with deaf(p) equivalents He understood the main idea an important question pity softened her heart. According to Prof I. R. Galperins definition Stylistic spirt is a conscious and lettered intensification of whatsoever type structural or semantic property of a language unit promoted to a reason out status and thus becoming a generative model. SD must continuously have some mapping in the text, besides they bring some additional information. The conception that words possess several meanings gives rise to such(prenominal) SDS as metaphor, metonymy, irony, epithet and others. Thus, a metaphor is a conscious and intentional intensification of typical semantic properties of a word Oh, Rain-said Mor.He enveloped her in a great embrace. (I. Murdoch). The dictionary meaning of the verb envelope is to wrap up, coer on all sides. The contextual meaning is to embrace The typical features of proverbs and sayings serve as the foundation for an SD which is called epigram, i. e. brevity, rhythm and other properti es of proverbs constitute a generative mo0del into which vernal content is poured A thing of beauty is a joy for ever. (J. Keats) refreshing is pleasure after pain (J. Dryden) What the eye does not see, the stomach doesnt get upset (J. K. Jerome). These phrases are not proverbs they are the creations of individual writers and poets. When such phrases are used in the text they accumulate great emotive force and function. They acquire a generalized status and thus advantageously become an SD while proverbs remain EM of the language. The some may be said approximately syntax. The typical structural features of viva voce speech (violation of word order, omission of some parts of the sentence, repetition of certain words etc) may be intensified and promoted to a generalized status.Such SDs as eversion, collimate constructions, chiasmus is the result of these stylistic transformations. It is important to know that the stylistic use of EM must not necessarily lead to the formatio n of an SD. For example, repetition is widely used in folk song and poetry and in oral speech to make our speech emotional and expressive, but we cant say that in such cases we use a SD. When the weather is unbendable We must not fret,- When the weather is cold We must not jade When the weather is warm We must not storm.Thus we may buy food the conclusion that EM are the facts of the language, while SDs are the property of the speech. They are the creation of individuals (writers and poets) and are based on the peculiarities of existing EM of the language. This is in short the difference between EM and SD. While speaking about SD we must always remember the force of star and the same SD may be different. In some cases the emotive charge may be very strong, in others it may be weak. It depends on the use of a SD in one and the same function.Due to the overuse of the SD it may become hackneyed, trite and looses its freshness and brightness 1. The best pens of the world A sweet sm ile 2. with his mousing walk Speaking about SDs we must mention the cases when both or more EM or SD meet at one point, it one utterance. Such clusters of SDs are called convergence. Together each SD adds its expressivity to that of the others. In general, the personal effects of these SDs converge into one especially striking emphasis (M. Riffaterre) For example When everyone had vulcanized George said She put in her thumb and pulled out a fairly.Then away we were into our merciless hacking-hecking laughter again. (S. M. Maugham). In English examples we reckon the convergence of several SDs decomposition of a proverb (to put ones thumb into smth), a bring case of an onomatopoeia in the function of an epithet (Hacking-hecking), inversion (adverbial modifier stand before the subject). and heaved and heaved still unrestingly heaved the dim sea as if its vast tides were a conscience. Here the convergence comprises repetition, inversion and simile. 1